A New Analysis of YHWH’s asherah (updated)

 

I have added parts 2 and 3 to the paper on YHWH’s asherah, which you can access here or through the pull down menu. The new additions start after the subheading ʾšrth= Asheratah/Ashirtah about two thirds of the way through the paper. For convenience I have also included an abstract of the finished article below.

 

Abstract:

The meaning of asherah in the inscriptions from Kuntillet ‘Ajrud and Khirbet el-Qom has been a focus of persistent discussion and debate, and still today the divergence in scholarly views is wide-ranging. The present paper aims to critically assess previous scholarship by examining each of the major proposals that have been made for elucidating the term and in the process advance a new understanding that is not only less problematic than current alternatives but historically more plausible given our present knowledge of the cultural and historical context of ancient Israel-Judah. Because asherah likely refers to a female deity and yet the designation is declined with a pronominal suffix, I propose that the term is a hitherto unattested common noun denoting YHWH’s female partner and that the goddess is to be distinguished from the goddess Asherah.

Review of Thomas Römer, The Invention of God (2015)

 

In the Invention of God, Thomas Römer tackles the perennial question of the origins and evolution of the god of Israel. Incorporating a wealth of archaeological and biblical data, Römer traces the complex and multi-layered history of the deity, showing how an obscure desert war god YHWH eventually became the singular God of monotheistic religions. Although the topic has received extensive treatment in recent decades, Römer’s discussion is fresh, accessible, and state of the art, demonstrating a broad knowledge of various disciplines and fields of study and especially critical analysis of the biblical texts.
Continue reading

An Image of Yahweh and his Consort?

 

I have now posted my article on the standing figures on Pithos A from Kuntillet ‘Ajrud here.

Abstract:

The question of the identity of the two standing figures at the center of pithos A continues to be a subject of vigorous debate, with the scholarly community divided over whether they should be explained in light of the inscription invoking Yahweh and his asherah that is situated above them. In this article, I review the main iconographic arguments for identifying the figures as Yahweh and his female partner and in the process respond to some of the common objections that have been raised against the hypothesis. These include the figures’ sexual dualism, overlapping pose as male and female partners, their Bes-like and bovine features, the evidence for a shared mythological compatibility between Bes and Yahweh, and the larger iconographic context of the pithos.